January 2, 2011

Althea hauls and skins the beast

and coaxes spark for evening’s feast;

she stirs a gruel fit for a god,

served to men late formed from clod.

 

Answering a creator’s call,

she paints the bison on a wall,

lit by flames that leapt and played,

freed by a titan who disobeyed.

 

She wields the magic that colors night

(struggling with the stolen light);

deep inside her shaman’s cave,

she shares the crime no god forgave.

 

Flare flings shadows through the haze,

like warnings hurled at her,    or praise;

what means Althea’s beastly show?

man’s calling is to hunt,     and  know.

 

Like her sisters of the past

who saved us from the icy blast,

her stronger soul must never tire,

the female,     keeper of the fire.

December 3, 2010

 

Where an infidel had fought and fell

For freedom Afghans knew not of,

Robbed by Allah of life and love.

 

The  rocks  he  touched in the land of death

Seemed poisoned by the Prophet’s breath,

Yet a worthless slope is a sacred place,

Purged and  pure, like a state of grace.

 

He  saw  Tillman’s rifle on the ground…

Then thoughts were muddled by the sound

Of whirring blades whirling dust around,

And from the chopper the pilot frowned,

 

But  the  wind  sang soft, as if at play,

And whispered something as he walked away.

–written at Christmas 2010, jd

 

 

 

 

November 11, 2010

The stronger your connection to reality, the stronger is your morality. If you see reality as an absolute, as did Aristotle, that A is A, that reality is what it is, that your sense perception is certain, then you have clarity and certainty about morality; you clearly know right from wrong, good from evil.

If, on the other hand, you have a disconnect from reality, if you question reality, if you doubt your senses, then your morality will reflect your doubts; you will not always know what is right or wrong, or be able to distinguish good from evil.

For many, experiencing violence awakens them to reality. As the victim of a crime, for example, you know concomitantly what ought NOT to be. Doubt about reality is gone; doubt about morality is gone.

In World War 11, when the atom bombs were dropped in Japan, many Japanese scholars and military men said the bombs were “gifts from heaven.” (See John David Lewis, Nothing Less Than Victory) For the first time, members of the mystical Samurai culture were jolted into REALITY. A teacher on the outskirts of Hiroshima, at the moment of the explosion, said, ” I knew we were wrong.”

Many philosophers and religionists hold that reality is not what it is. Some say that this earth and this life are mere shadows of a greater, clearer reality that lies elsewhere (Plato). Others say that this earth and this life are an imperfect, unknowable morass that we must pass through in order to reach heaven (St. Augustine and most religions). Islam, a fiercely dogmatic religion, has an almost total disconnect from reality. This life and this earth have no value. All that matters is the words of Mohammad in the Koran. Morality for Moslems is thus upside-down: Islam condones the prohibition of free speech and all free thought, the demonization of all non-Moslems, the subjugation of women, conversion by the sword, pedophilia, genocide, and slavery. Self-sacrifice to the point of suicide is a virtue.

In the present day we see in the philosophy of socialism this disconnect from reality and the consequent moral confusion. Some scientific studies of late suggest that the socialist mind-set is partially the result of a defective genetic make-up; that the sincere socialist is somewhat mentally ill(Google “liberal gene,”  DRD4-7R).  This helps explain how the socialist can live in a state of pretense; how he can live with contradictions: in spite of l00 years of evidence of the catastrophic failure of socialism in both theory and in practice (Stalin, Hitler, Mao Tse Tung, Castro, Kim Jong Il…), the modern socialist continues to pretend that this is a beneficent socio-economic philosophy. Contradictions: one need only look at the actions of the Obama Presidency: he spends trillions and says he wants a balanced federal budget; he says he “ardently supports the free-enterprise system” and increases government control over housing, banking, mining, the auto industry…; he says he believes in free speech and tries to impose more government censorship on talk radio (the “Fairness Doctrine”); and so on.

Morally, the socialist cannot clearly distinguish good from evil. Obama again is an example: he regards Palestinian terrorism as morally equivalent to the Israelis defending themselves. He regards making money as a corrupt act at the worst, or as morally questionable at best. Though America is the most noble, moral nation in human history, he apologizes to barbaric foreign nations for America’s “Imperialism.”

We must note that if socialism is to some extent a mental illness, even the experience of violence is unlikely to dislodge its mind-set.

November 8, 2010

Written for a philosophical contest about the relation of “is” to “ought” :

As the victim of a crime, you wallow in reality and know concomitantly what ought NOT to be.

The stronger our connection with reality, the stronger our sense of what OUGHT to be. To the extent that one is disconnected from reality, to that degree is his sense of “ought” weakened.

In World War 11, when the Atom Bombs were dropped, many Japanese scholars and military men said the bombs were “gifts from heaven.” For the first time, members of the mystical Samurai culture were jolted into REALITY. They knew concomitantly with that experience what ought NOT to be in their society.

In the present day, socialists (and collectivists in general) live in a disconnect from reality. Their morality is one of sacrifice and the use of physical force. Since their “is” is weak, so is their “ought.” To them, might makes right. The concept of “right” comes not from reality, but from holding power.

November 1, 2010

Taunted by the waning day’s soft glow

And shadows’  soothing calls that bid him stay,

The killer,  knowing he must not obey,

Keeps his pace and tracks a fleeting foe;

But stalking merely yields a timid doe

With wary feet,  yet one the man can slay,

For he alone can kill from far away

With clever hands that work the stubborn bow.

The hunter gulps the food that he has slain

And sighs at a distant eagle’s glide

Of graceful curls from off a mountain shelf;

Then turns to cross the endless,  unknown  plain

With just the eager weapon as a guide:

The creature he is hunting is himself.

 

  –from  “Sonnets to the Hunter,”   l990.

December 21, 2008

 

 This poem is for my wife,  Margaret,  who has added to my life in more ways than I can count.   She is Canadian scholar Margaret Ward,  author of  “The Family Dynamic”  and dozens of articles on the family and  adoption.   See her web site:  www.margaretward.org

    In a wider sense,  the poem is dedicated to all writers,  artists,  musicians,  scholars,  scientists,  inventors,  explorers,  capitalists–to  heroes of the mind like Margaret– those who created and continue to nourish all that’s good and glorious in  Western Civilization.

 

Margaret treads the path with even pace,

As wild dogs in arroyos bray and race;

Ravens croak and claw in barren trees,

And eerie lizards crunch the fallen leaves.

 

A  flash of color  makes her turn her head,

A blossom blows there in its thorny bed;

She cleans around it with her hiking shoe,

And a fuzzy scorpion shocks with its debut.

 

A hawk dives sudden  through the morning fog,

And plucks a salamander from a log;

Child-like she can only gasp and cry

In awe,  as death,  like mist,  wafts nigh.

 

Yet she’s the truer menace on the trail !

By her witness  wobbling worlds prevail ;

Without the sunburst of her knowing gaze,

Creatures morph to gray primordial haze.

 

In her joy all nature comes alive,

And a myriad of miracles can thrive;

Her love is all that gives creation worth,

It’s Margaret that’s the wonder of the earth.

 

Uncertainty  and   enemies   await,

And threats decreed by jealous gods and fate;

She leaves her heartache and regret behind,

And hastens,  now,  on the journey of the mind…

 

   –lines at Christmas,  2008,  by Jim Douthit

November 29, 2008

This yellow beast in constant heat,

Fending off her tumbling brood

Who followed her to fun and food,

Her flock of alley pedigree,

Saw when to fight and when to flee.

 

In a queenly pose atop my car

She’d survey the yard and street afar,

Or step across my open door,

Touch a paw upon the floor,

Sniff at wonders all around,

House cats fat and sleeping sound.

 

But then she’d turn to her world untried,

To uncertainty and storms outside;

For her to struggle meant to thrive,

To be embattled was to be alive

Her tiger soul chose stress and strife,

As if dull peace would lessen life.

 

How foreign seemed her wild domain,

A land of only play and pain,

Where neither praise exists nor blame,

Nor strutting pride, nor cringing shame;

A place I knew so little of,   I won’t deny,

Yet I saw love…                    didn’t  I ?

 

I profited to hear that purr

Which meant I was in debt to her;

I’m thus enriched by what I owe,

Tho’ strange it sounds to state it so;

Her visit was like a prayer each day,

Don’t ask me why, I couldn’t say.

 

On the asphalt stretch she died one night,

Killed by a car in blinding light,

An unearthly roar she couldn’t heed,

By an unseen foe with unknown speed;

Dead, though she had never sinned,

Her spirit flown like a song in the wind.

 

Later, I sat on the patio

Puffing a cigar in the fading glow,

And, rumbling ‘round my creaky chair,

Came yellow kittens romping there;

Now independent, I could tell,

A valiant mother had taught them well.

 

She had fled my prison, a fugitive

Yet left me memories that live;

So here’s a simple requiem:

This vagrant who had no lives of nine,

Found fire and thrills in her feral realm,

More than I have  known in mine.

 

Goodbye, dear one, from my habitat,

You’ll always be my favorite cat.

    –Thanksgiving Day,  2008,   Jim Douthit

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November 5, 2008

Election.   Can’t sleep

No sheep to count.  Barack wins

Flocking to the left.

–Nov. 5, 2008,   by Burke Beaumont

November 2, 2008

Young Fred was hunting rabbits in September’s evening chill,

When he saw a horse and rider from his vantage on the hill,

A horse with wounded rider slumped forward on its mane;

The lad ran to tell his mother through the wavy grass and grain.

 

Before he’d reached the ranch house,  his mother stepped outside,

He cried,  “Ma,  a rider’s coming!  Do you think that we should hide?

He must be a badman who was chased way off his course,

Do you think that we should shoot him?   Will he let me ride his horse?”

 

The outlaw’s giant Sorrel saw the houselight from the plain,

Its friendly flicker beckoned through a curtained windowpane,

He perked his ears and raised his head,  but kept an even pace,

He knew his rider soon would fall if he should start to race.

 

The fraulein ran to meet him,  Fred followed with a frown,

She grasped the stallion’s frothy reins,  for they had fallen down;

“He’s hurt,”  she said to the excited lad,  who wondered what they’d found;

The man slid from the saddle and she eased him to the ground.

 

“Frederick,  go wash the horse,  his legs are caked with mud,”

In fading light she saw her hands were wet with the outlaw’s blood;

With hands both firm and gentle,  she wiped his drooping head,

“Shall we drag him to the house,  Ma?”   “No,  son,  not to daddy’s bed.”

 

They got him into shelter and made a bed of straw,

The fraulein took his boots and clothes;  Fred eyed his guns with awe;

“Son,  go get the medicine by the fireplace on the shelf,

With my herbs and physics I might bring him back to health.”

 

She nursed him and she fed him,  with gruel and German bread,

His wounds healed fast and one bright day,  his deathly fever fled;

When the outlaw woke that morning,  he asked,  “Am I dead or lost?”

He wondered what had happened,  wondered what the cost.

 

The fraulein was smiling down at him,  with serene and thoughtful face,

“Where am I ?”  gasped the outlaw,  “How did I find this place?”

Her eyes sparkled like the starshine that a Viking god had sent,

He would swear he’d  found Valhalla,  if he’d known what that word meant.

 

“Who are you?”  he asked the Beauty,  “How did I get here?”

She said,  “I am Frau Burkhart,  you needn’t have a fear;

You came from out the unknown night–don’t feel such remorse,

You came to me a sorry sight,  dying,  on your horse.

 

“You survived another savage fight,  your scars show there were more,

What luck for you your horse knew how to find a friendly door!”

“Wrangle!  Where is Wrangle?”  he cried with pain renewed,

But she lay her hand upon his brow and he was at once subdued.

 

“We gave him feed and water and he’s off to the mountain’s rim,

I’ve seen lots of horses,  friend,  but never one like him;

He prances,  rears,  and whinneys,  and he gallops like the wind,

Don’t worry about that devil!  He’s full of fire,”   she grinned.

 

“Are you all right’s  what matters,  fear for your horse can keep,

Is your heart still beating steady?  Can you move now and breathe deep?”

“The air’s sweeter here than anywhere,”  he breathed with heavy sigh,

He struggled to his feet then,  and looked her in the eye;

“Who are you,  girl?”  he asked again,  and his blood began to stir;

She said,  “Sadie is my given name,  and what is your name,  sir?”

 

But,  speechless,  he beheld her there,  for a name’s not what we are,

He was like a traveler lost at sea who’d found a fixed bright star;

Then he said,  “Folks just call me  ‘lonesome’ — that or something such,

I’ve always been alone,  I guess,  never thought about it much.”

 

The outlaw watched her do her chores,  slop the pigs she liked so well,

She was such a treasure–in such a place–how could he foretell?

With lusty eyes and lavish mouth,  her handsome face berry-tan,

She glowed with woman’s beauty,  yet was strong as any man.

 

She said,  “You must leave soon,”  and his heart began to burn,

“My men,”  she said,  “drove cattle north,  and they will soon return.”

For she guessed he was a killer,  whose guns held secret tales,

Who rode the great,  wild Wrangle down many crooked trails.

 

He said,  “Do you have a good horse,  Sadie,  one that’s just for you?”

“Just that bitch beyond the fence,”  she laughed;  “We called her ‘Princess Blue’ ;

Got her from the Indians,  traded for beef and our well-water,

The Chief gave us that untamed wretch,  named for his youngest daughter–

She was a wild one,  too!”

 

What else to give this fraulein whose care had made him whole?

She’d healed more than his wounded flesh;  she’d given him his soul;

“Wrangle’s everything I own,”  he said,  “but tell you what I’ll do,

I’ll leave him here for you and Fred,  and I’ll take Princess Blue.”

 

Fred had Wrangle miles away,  the two were a ghostly form,

Boy and horse together,  like a vision in a storm,

On a horse with hooves of lightning,  while dust clouds swirled behind,

A boy with freedom in his soul no god could ever bind.

 

Frau Burkhart thanked the outlaw,  and touched him on the arm,

Her touch pierced like a magic knife,  like a sorceress’  charm;

He held her arms behind her and felt her eyes implore,

Overcome,  he kissed her,  and pulled her to the floor.

 

She twisted,  kicked,  and struggled,  and fought in every way,

But he tore her undergarments and raped her in the hay;

She wept,  but then surrendered as he kissed away her tears,

When she wrapped her long legs around him,  he recaptured youth’s lost years.

 

They lay till sun was setting,  told secrets of their hearts,

Souls bared like their bodies,  before he must depart;

She said,  “Fred will soon be coming,  he mustn’t see me here,

Tonight I’ll be so lonely,  love,  and you’re so warm and near.”

 

In the morn’s first light,  on Wrangle,  he captured Princess Blue,

He wrestled and cajoled her,  and nailed on her some shoes,

He brushed her down and saddled her and tied her to a tree,

“Soon,”  he said,  “you’ll know me;  with me you’ll still be free.”

 

As he mounted the pesky filly,  Frau Burkhart gave a shout,

“Before you cross the river,  stop and turn about;

I’ll climb while you are riding and be a-top the hill to see;

Look back,  Lonesome,  one last time,  and blow a kiss to me.”

 

“Come on,  Blue”  he told the horse,  as they rode away,

Tears dropped down on Lonesome’s face,  he had no words to say;

He’s ridden down a thousand trails,  he’d  crossed the years alone,

He’d fought to save a life or two,  now he must save his own.

 

He’d always rode where duty called–knew nothing else to heed,

But with Sadie’s  love held in his heart,  he felt a greater need;

In her eyes he’d found new life that duty wouldn’t buy,

His journey still through darkness led,  but he knew where and why.

 

No longer did the trail seem cold,  yet it was late September,

There was a warmth of earth around that he could not remember;

Grass was surely greener than he’d ever seen before,

Prairie roses blooming–had it been raining more?

 

He slowed Blue near the river,  and reined up at the brink,

“I know what thirst is like,  Blue Gal,  so go ahead and drink;”

The outlaw saw his fraulein waving high a-top the hill,

He waved back and blew a kiss and felt love’s painful thrill.

 

She stood like an earthy goddess,  head held high and grand,

Breezy fingers touched her hair,  and,  like an unseen sculptor’s hand,

The wind molded her clothes against her,  showing naked form again,

She was a fountainhead of life,  the strength of all her men.

 

The image of her standing there goaded like a spur,

She has part of me,  he thought,  do I have part of her?

In his deepest heart,  he knew,  such thought was just a whim,

He might own a part of her,  but she owned all of him.

 

Sadie in September days:   a vision he’d preserve,

Even a tiny part,  he thought,  is more than I deserve;

He’d have to see his love again,  that much was clear,  he knew,

“I’ll ride back to you,   Fraulein,  when Spring comes blobbin’  through;

 

“When the Egret and the Heron roost along waking waters’  flow,

When Canvasbacks and River Gulls glide over melting snow,

Then stand upon this hill,  Fraulein,  and wave to me again,

For I’m the one who loves you most,  ‘mongst all your gallant men.”

 

He looked again,  but she was gone;  he felt a loss and shiver;

“C’mon,  Blue,  you’ve had enough!”  He clicked his tongue,

And urged her on,  and they splashed across the river…

 

  –from “Sonnet to Sadie,”   1990.

October 31, 2008

We were driving north of Ord, Nebraska,  near an old Indian outpost called Ft. Hartsuff,  when my friend Bill Wiecking,  scholar and athlete,  felt like getting his jogging in for the day.   I let him out on the cold gravel and drove up the road and waited for him.

 

The solitary runner,  bold and fleet,

Shrugs the windy threats of fateful skies;

Along Ft. Hartsuff’s  graveled path he flies,

Naked  ‘gainst  December’s  icy  sheet.

Farm hounds feign attack,  but soon retreat

From the killer ape  whose fiery eyes

Dissolve like wax the ancient growls’  disguise,

Driving them to safety and defeat.

Bill’s warm breath tames the cold of earth,

And dances with the power of his soul;

He laughs at dogs and gods that he must face,

For pleasure tells him what his life is worth;

His chin is thrust toward freedom’s unknown goal,

Where man,  defiant,  will forever race.

–from “Sonnet Running Diary,”   l989.

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